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Sonata op. 28 no. 3 in A major for cello and basso
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Sonata op. 28 no. 3 in A major for cello and basso
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Sonata op. 28 no. 3 in A major for cello and basso
Sonata op. 28 no. 3 in A major for cello and basso
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Jean-Baptiste Breval
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Sonata op. 28 no. 3 in A major
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841358 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele ...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841358 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 14 pages. Artistic Score Engraving di Galvagno Michele #6037233. Published by Artistic Score Engraving di Galvagno Michele (A0.841358). This is a separate edition containing only the third of the six sonatas for cello and basso op. 28 by J. B. Bréval. The edition containing the six sonatas in a bundle at a greatly discounted price is also available. This edition contains a full score and a set of parts.
$3.50
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
Six Sonates d'un genre facile et agréable à violoncello et basso, op. 28
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Violoncelle, Contrebasse (duo)
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DÉBUTANT
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Jean-Baptiste Breval
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Six Sonates d'un genre facile
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele ...
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Instrumental Duet Cello,Double Bass,Instrumental Duet - Level 1 - SKU: A0.841356 Composed by Jean-Baptiste Breval. Arranged by Yuriy Leonovich, Michele Galvagno. Classical,Instructional,Standards. Score and parts. 106 pages. Artistic Score Engraving di Galvagno Michele #6029285. Published by Artistic Score Engraving di Galvagno Michele (A0.841356). Jean-Baptiste Sebastien Bréval (1753-1823) was a French cellist and composer, who is, perhaps, best known for his cello sonatas, namely the ones in C major (Op. 40, No. 1) and G major (Op. 12, No. 5). Bréval was one of the last students of the cellist and composer Martin Berteau (1691-1771), continuing his teacher’s tradition of composing sonatas for cello with bass accompaniment. With both composers, the bass part was to be played by a second cello, very likely by the cello teacher. Many cellists opt in to have Berteau’s unfigured bass part realised by a harpsichord. However, the two-cello layout was common in the late Classical Era, especially in method books, such as Bréval’s own Traité du violoncelle (where Bréval states that the bass and the cello are one and the same), as well as Romberg’s, Dotzauer’s, et al. Romberg and Dotzauer even composed sonatas for cello and basso (second cello) accompaniment as well, Op. 43 and Op. 103, respectively. Our current publication presents student cellists with a beautifully engraved edition of Bréval’s 6 Cello Sonatas, Op. 28 and Air de Malborough, Op. 13. Bréval composed the Sonatas in c1795, most likely in conjunction with Op. 40, since Op. 28, No. 1 picks up right where Op. 40, No. 6 leaves off. Whereas Op. 40 and Op. 28, Nos. 1-4 are in two fast movements, Op. 28, Nos. 5 and 6 include a slow middle movement, No. 6 even using the thumb. The autograph, which the editor used as the primary source, and the first edition both present each sonata on four pages in score form. Our volume includes a score and parts for each player. The cello part includes fingering and bowing suggestions by Yuriy Leonovich. Each sonata begins with an Allegro movement in sonata form. The finales vary from five-part rondos (Nos. 1, 3, 5), to sonata form (Nos. 2, 6), to theme and variations (No. 4). The slow movement of No. 5 is in simple binary form, and No. 6 is in simple ternary. The six keys Bréval used for Op. 28 are the same as the ones he used for Op. 40, only in a different order. Op. 40 uses the following order: C, F, G, B-flat, A, D. Op. 28 uses the following order: D, C, A, G, B-flat, F. The Op. 28 sonatas are primarily written in tenor clef, whereas Op. 40 is primarily written in bass clef. The playing range is identical for both sets, with the exception of the high B-flat in m. 46 in the slow movement of No. 6, and high B and C in m. 37 of the finale of No. 6. Bréval explores more advanced bow techniques as well.
$24.95
Menuett Von Boccherini
Menuett Von Boccherini
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Contemporain
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Josef Chalupper and Luigi Bocc
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Peet du Toit
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Menuett Von Boccherini
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Peet du Toit
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute,Viola,Violin - Level 3 - SKU: A0.802572 Composed by Josef Chalupper and Luigi Boccherini. Arranged by Peet d...
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Viola,Violin - Level 3 - SKU: A0.802572 Composed by Josef Chalupper and Luigi Boccherini. Arranged by Peet du Toit. Contemporary. Score and parts. 40 pages. Peet du Toit #5798439. Published by Peet du Toit (A0.802572). Ridolfo Luigi Boccherini (February 19, 1743 – May 28, 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275)He wrote a large amount of chamber music, including over one hundred string quintets for two violins, viola and two cellos (a type which he pioneered, in contrast with the then common scoring for two violins, two violas and one cello), a dozen guitar quintets, not all of which have survived, nearly a hundred string quartets, and a number of string trios and sonatas (including at least 19 for the cello). His orchestral music includes around 30 symphonies and 12 virtuoso cello concertos.This arrangement also includes a flute, a clarinet and a bassoon, with pleasing results. Enjoy!
$13.00
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Sonata op. 28 no. 3 in A major for cello and basso
